Novice - Kultura (angleščina) - New York Times

What Belongs in America’s 250th Birthday Time Capsule?
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 (New York Times)
Tracey Emin on Love, Loss and Getting Out of ‘My Bed’
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Since the artist was diagnosed with aggressive bladder cancer in 2020, a lot has changed in her life and work. A new show at Tate Modern examines Tracey Emin’s “second life.” (New York Times)
‘Fast Car’ Changed Luke Combs’s Life. He’s Back for More Hits.
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The country singer helped to usher the genre into the streaming era before taking a step back. On his new album, he wants to go for broke. (New York Times)
‘The Luckiest Man in America’ and More Streaming Gems
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A game-show drama and a documentary valentine to a cult movie queen are among the little treats tucked away on your subscription streaming services this month. (New York Times)
With Bends, Crinkles and a Cool Decor Makeover, Carol Bove Takes the Guggenheim
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She extracts something new from steel, dispelling its aura of brawn. Her signature form is a rumpled ribbon of metal painted to look as soft as suede. (New York Times)
Noguchi Envisioned a More Open New York. New York Wasn’t Interested.
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Isamu Noguchi became one of the most successful artists of the 20th century, but the city met his plans for public spaces with indifference. (New York Times)
‘Grease 2,’ the Giddy, Raunchy Flop That Brought Us Michelle Pfeiffer
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The highly anticipated 1982 sequel failed to meet expectations at the time but has since charmed an adoring following with its ambitions dance numbers and nonstop ear worms. (New York Times)
‘In the Blink of an Eye’ Review: We Are the Future
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These three connected stories about the whole of human history can’t quite sustain the necessary emotional heft. (New York Times)
‘K-Pops!’ Review: Reconnecting Through Music
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Anderson .Paak directs and stars alongside his real-life son in this film, which offers sometimes charming, if somewhat sterile pleasures. (New York Times)
‘Idiotka’ Review: She’s a Haute Mess
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A scrappy Russian American seamstress from West Hollywood competes in a fashion design reality show in this clever and earnest indie comedy. (New York Times)