Novice - Kultura (angleščina)

‘The Pitt’ Asks: Is TV Better in Small Doses?
08. January 2026 (11:02)
The hospital drama has become the champion of a return to old-fashioned weekly viewing habits. But honestly, it makes a pretty great binge watch. (New York Times)
Everything Happens at Once in Faith Ringgold’s Mini-Retrospective
08. January 2026 (11:02)
A show highlights the artist’s extraordinary range with oil paintings, gouaches, figurines, textile works and ‘story quilts.’ (New York Times)
‘Young Mothers’ Review: Teen Parents, Breaking Cycles
08. January 2026 (11:02)
The Dardenne brothers’ latest film is a tender portrait of four teenage moms in a Belgian maternity shelter. (New York Times)
‘OBEX’ Review: An Analog Nightmare
08. January 2026 (11:02)
In this indie oddity boasting visceral D.I.Y. effects, a gentle loner enters the world of a video game to save his beloved dog. (New York Times)
‘My Neighbor Adolf’ Review: The Nazi Next Door
08. January 2026 (11:02)
The actors Udo Kier and David Hayman square off in this domestic drama where a man is convinced that his neighbor is Adolf Hitler. (New York Times)
‘Holding Liat’ Review: Hostage Situation
08. January 2026 (11:02)
 (New York Times)
Can Shawn Levy Resuscitate ‘Star Wars’?
08. January 2026 (11:02)
Lucasfilm hopes that Shawn Levy, who made “Deadpool and Wolverine” and helped make “Stranger Things,” can bring that same touch. The key may be his inner child. (New York Times)
‘Dead Man’s Wire’ Review: When the Action Is Razor Thin
08. January 2026 (11:02)
Dramatizing an odd news item from 1977, Gus Van Sant’s crime film isn’t crazy enough. (New York Times)
‘All That’s Left of You’ Review: Hearts, Minds, History
08. January 2026 (11:01)
The Palestinian American director Cherien Dabis offers eloquent context with her generational drama about Palestinian men. (New York Times)
Josh O’Connor’s Masterly 2025 Performances: ‘Wake Up Dead Man: A Knives Out Mystery’ and More
08. January 2026 (11:00)
The star’s nuance and emotional power, along with his natural charisma, quietly enriched a quartet of movies in 2025. (New York Times)